Lincoln

LINCOLN
By Geoffrey Altrocchi
and
Therese Olson
Director:  Steven Speilberg
Lead Actors:  Daniel Day Lewis, David Stratham, Sally Field


A history lesson from the heart. This epic movie featuring one of our influential presidents covers a very short period in Lincoln’s life wherein he used all of his political game to pass the 13th Amendment, which would ensure equal rights for all men under the law. 



This from the director who gave us The Color Purple. This from the liberal-minded filmmaker who brought us Amistad. In this spirit, Steven Spielberg honors the man, who, more than most in his era gave African- Americans a chance in this historically highly- prejudiced time. 
Abe Lincoln is brought to life by arguably the greatest actor of our time, Daniel Day Lewis, a master of personifying power. One would have to take the filmmaker’s word for it that Day Lewis was involved with this movie, because I didn’t “see” him once. What I did see was Lincoln, the man I’ve read about , the man I’ve idolized since someone gave me my first penny. Finally, there he was, on the screen in the flesh. 
As Lewis embodied in his gritty Lincoln portrayal, rare and determined were those who freed slaves and fought to integrate them into society. This key issue is touched on delicately in the movie, as Lincoln’s interpersonal relations with African-Americans are meaningful and poignant. 
Lewis also brought depth to his relationship with Mary Todd, Lincoln’s troubled wife, played by Sally Fields. Fields portrays Todd as a human under an unbelievable amount of stress and suffering from the grief of their recently deceased child. She does an outstanding, sobering job and helps ground the movie in the reality that there were real people affected by these historic events. Their story makes it seem as if Mary Todd Lincoln takes on everything swirling around her husband, but gets none of the glory.


 


It is not without mention that Tommy Lee Jones was a standout as the stately proponent of abolition, Thaddeus Stevens, whose vote was key to Lincoln's mission of getting the 13th Amendment passed. While there were many fine performances among the one hundred and thirty-five speaking roles created by this sweeping movie, my favorite non-lead was James Spader as a sloppy-gutted lobbyist, W.N. Bilbo, who had his hand in making history. 
VIewers should know that scenes of the Civil War are painstakingly graphic in “Lincoln”, as are the thousands and thousands of detailed dead bodies. In fact, in one scene, we see a wheel barrow of bloody limbs dumped into the ground. THIS IS NOT YOUR FOURTH GRADER’S HISTORY BOOK LESSON ABOUT ABE LINCOLN. 




Highlights/Top Scenes
Though filled with fierce rhetoric, Spielberg’s depiction of the US House of Representatives was both funny and a little scary. They all seemed so flawed and average for representatives. So human! It leads one to imagine what might be said after a day spent in today's House of Congress!




In the end, this is an honest look at American politics by the creator of numerous memorable films, also known for taking a stance through his conscientious storytelling, that left this humble viewer full of hope!  Quite possibly one of the best films in a long time from a modern day film-making master. Bring your heart in the door, but leave your kids with the sitter for this gut-wrenchng, visceral visual experience!

Frankenweenie

FRANKENWEENIE




Director: Tim Burton


Lead Actors: Martin Short, Winona Ryder

Produced by
Allison Abbate.... producer
Tim Burton.... producer
Derek Frey.... co-producer
Don Hahn.... executive producer
Connie Nartonis Thompson.... associate producer
Simon Quinn.... line producer


Plot Synopsis:
Young Victor Frankenstein, a child in New Holland, an American suburb, (which alert Tim Burton fans will notice is not a new theme for him) is hopelessly tied to his science experiments. His only friend is his dog, Sparky.

This bothers his Dad, played by a magnanimous Martin Short, who wants Victor to socialize with other kids. He makes a deal with Victor that if he will play baseball with the other kids, his dad will sign a permission slip for Victor to participate in the science fair (which is administered by a spooky, yet caring science teacher Mr. Rzykruski, who resembles Vincent Price but is played with much gusto by Martin Landau.

So Victor agrees, and he manages to hit a home run in a game against his equally spooky and creepy neighbors and classmates. His dog, Sparky, ever the trusty sidekick is watching and chases after the ball and in so doing meets his untimely end as he crosses a busy street.

Now, this is where some "Boy and his Dog" movies, like "Old Yeller" end- the boy's dog, and favorite companion, meet death while doing a heroic act.

But this happens not even half way through a full-length movie, and, well, the title pretty much gives away what's going to happen next. Young Victor, who resembles Mary Shelley's young Victor Frankenstein in his passion for science, will attempt to bring Sparky back to life . .. through science!

The results are interesting and heartwarming. Victor's experiments catch the eyes of his freakishly ghoulish neighbors and classmates who will be competing against him in the science fair. They see the magic that Victor can yield, and they want in.

Who Would Like It and Why
Monster movie fans will enjoy a full romp and homage to as many monster movie clichés as one monster movie fan can fit into a movie, including one of the inexplicably ghoulish neighbors of Victor being mummified,

SPOILER ALERT  one of the Japanese American neighbors brings his pet turtle named Shelley (which could be a tie back to Mary Shelley) turning into a Godzilla-like menace when an experiment to bring it back to life goes terribly terribly wrong!

Also, I think that all dog lovers will enjoy the realistic portrayal of a great dog by Burton, even after he dies and has been brought back to life!

Burton has fun with this little suburb called New Holland. Burton fans will know that as was well-documented in Burton's older movie "Edward Scissorhands", Burton has conflicted feelings about his upbringing in Burbank suburbs as a child. New Holland is portrayed with both love and contempt. Victor's contemporaries seem to all have something wrong with them. One of his friends looks like the hunch backed assistant to Dr. Frankenstein, with hunched back and teeth going in all different directions. Another character has eyes as big as some of the character's heads.

This just seems to be Burton having fun with animation. New Holland seems to be a strange place though, as it is revealed early on that the town is very susceptible to lightning. It is even revealed that Mr. Rzykruski, the odd yet stimulating science teacher played by Martin Landau, is a replacement to a teacher thought to have been killed by lightning.







No wonder the Mayor Burgmeister of New Holland seems to be so insecure about luring newcomers to New Holland.
 




Who Might Not Like It and Why
There were certainly some plot holes, and I think that Burton seemed to favor monster parody over Robert Mckee screenplay structure. This was clearly a case of a very powerful and popular director having fun with his animation and his friends and deciding to make it a full-lenght feature movie.

Burton seemed to bring some characters from his past into this movie, for example, I could have sworn he used one of the fat characters who played Tweedle Dee or Tweedle or Tweedle Dum in Alice In Wonderland as a fat kid in this movie.

Highlights/Top Scenes
What I loved most about this movie was Martin Short playing a very straight, caring, down to Earth father to a son who is without a doubt a genius and who has to be handled with great care. His performance brought comfort.

As a movie fan I was also thrilled to hear a voice that belonged to Hollywood's original "creepy girl", Winona Ryder. She played Victor's neighbor - a possible love interest. She was very much at home and welcome in this monster romp!

Also, having grown up as someone who was given Sea Monkeys as a present and never did anything with them, it was interesting to see what would happen if you just add water . . . and electricity . . . to the package’s contents. . . . !

Special Note:
Alert movie fans will remember that Tim Burton's Wife, Helena Bonham Carter, played the bride of Frankenstein in Kenneth Branaugh's brave film interpretation of the story not so long ago. Perhaps she had some influence on the appearance of Sparky's love interest, Persephone, in the movie. 

Burton's wife, Helena Bonham Carter as the "Bride of Frankenstein"


                                      Different interpretation of the Bride of Frankenstein.

     Persephone, Sparky's love interest.

Rating: Three Mike and Ikes



Sayonara ( 1957 Classic Movie )


Review by Ty McLemore

Director

Joshua Logan

Lead Actors

Marlon Brando, Red Buttons, Ricardo Montalban and Patricia Owens

Producer

William Geotz

Plot Synopsis
 
This lavishly produced, Irving-Berlin-scored masterpiece is a mix of hope, despair and fatalism that will ultimately leave the viewer mentally and emotionally taxed.

“Ace” Lloyd Gruver (Marlon Brando) is a decorated Korean War pilot on leave to Kobe, Japan for a short term of rest and leisure. Once there, Joe Kelly, (Red Buttons) an airman under his command, is set to marry a Japanese woman despite military regulations that forbid it. Kelly asks Gruver as his best man – an offer he initially declines, but reconsiders after sensing Kelly’s deep love for the woman.

Meanwhile, Gruver’s fiancĂ©, Eileen, (Patricia Owens) has been secretly ferried to the island. Their pairing is short lived as she learns that Gruver’s intentions for marriage are born out of a sense of duty rather than love. As their relationship begins to unravel, Gruver is drawn to a beautiful Japanese dancer named Hana-Ogi. He enlists the help of Kelly’s wife Katsumi in arranging a tryst for the two of them.

Problems arise for Kelly when a vindictive and racist colonel arranges for his departure back to the states – without his new bride. Out of options and nearly out of time, the couple commit suicide rather than face the consequences of separation.

As Gruver and Hana-Ogi’s relationship is also brought to light, they must decide whether their own forbidden love is worth the risk of losing everything they have achieved.

There is a reason why many regard Brando as the greatest actor of all time. His effortless glide between two characters - the simple, and at times, comical, southern gentleman to the handsome, rugged and imposing Major Gruver, leaves no doubt about his place in cinematic history.

From the way his coat is tossed over his arm, the manner in which he points out directions or the style in which he cradles his cap while addressing military brass – it’s pure Brando at his coolest and smoothest.

Conversely, casting Miiko Taka as his female counterpart was sheer movie moxie. The Marilyn Monroe-esque bombshell with breathy speech, pouty lips and exotic beauty may have been MGM’s best method of softening the sting of an interracial romance in the 1950s.


Who Would Like it and Why

Anyone who loves Brando or a well-written, well-acted, dramatic love story.

Who Might not Like It and Why
 
Those who may be offended by racist language or stereotypes.  One example involves famed actor Ricardo Montalban in the role of Nakamura, a Japanese dancer in an all-male theatrical troupe.  Epic films as this, however, must be taken in their proper context. In the 1950s it was a normal occurrence in casting standard actors to play the roles of minorities.

Top Scenes
 
As Gruver and Hana-Ogi meet for the first time, he nervously babbles on with small talk while she remains stoic and motionless. Afterwards, she speaks of her stature as Japan’s premiere dancer and proclaims that despite the danger that awaits them, she is MORE than willing to engage in an illicit romance. Furthermore, she says that when it is over she will NEVER love another.

Her boldness leaves him speechless.  She begins to pour a cup of Saki as the screen fades to black. This is by far my favorite scene of my favorite Marlon Brando movie.

Summary
 
There is a constant undertone here about one having an obligation to oneself first. Gruver and Hana-Ogi are accomplished, high-ranking individuals who have lived their entire lives pursuing what was EXPECTED of them, rather than what they wanted.  As the door begins to close on their last chance at happiness, they must decide whether obligation trumps passionate, ever-lasting love. 




Tony Scott- an artist in his own right!

Do you remember Maverick throwing his dad's dog tags into the ocean? What about Denzel Washington's character in Man On Fire cleansing his fatal wound in a swimming pool so he can stay alive long enough to save a little girl.


Or what about in True Romance when the FBI, the Mafia and about three other crime and crime fighting organizations point guns at each other in an ultimate showdown.

These were all scenes crafted by Tony Scott, the brother of Ridley Scott.

In a way, I always felt Tony Scott was more in touch and funnier than his lofty and successful brother.

I remember listening to director's commentary of Man On Fire. With his raspy voice that I had never heard before, Scott recounted his adventures in Mexico City while filming this movie. He told the story of jumping into a closed-down public pool and being sick days afterwards and of almost being mauled by a gang of young boys somewhere in the city while trying to film some gritty action.

He sounded like someone who was always interested in adventure and reluctant to grow up.

He has had a hand in shaping Hollywood just as much as anyone, and I pray for him. I am sorry for the pain that he was going through and that he felt jumping off a bridge was the only way to end it. Sadly, he most likely will be missed more than he will ever know. Sometimes the most wonderful and influential people are the most critical of themselves. Suicide sometimes takes some of the finest human beings.

I can only hope that Scott's soul is at rest and that young film makers take into consideration his large and wonderful body of work.

Rest In Peace.
Sincerely,
Geoffrey Altrocchi

'Top Gun' director Tony Scott's family asks for privacy after his death

Tony Scott

The family of Tony Scott is asking for privacy after the "Top Gun" director jumped to his death off the Vincent Thomas Bridge in San Pedro on Sunday afternoon.
"I can confirm that Mr. Scott has indeed passed away. The family asks that their privacy be respected at this time," a spokesman said in an emailed statement.
Scott jumped off the bridge about 12:30 p.m. Sunday. Law enforcement sources said officials looked inside the car he left behind and determined that it belonged to the famed movie director and producer. A note listing contact information was in the car.
A suicide note was later found in his office. Its contents were not revealed.
The Los Angeles County coroner's office confirmed Scott's identity Sunday evening,
Scott, the brother of director Ridley Scott, directed "Top Gun,"  "Enemy of the State," "Beverly Hills Cop II" and "Crimson Tide."
The case remains under investigation by the Los Angeles Police Department and the coroner's office.
Witnesses told police that Scott parked his Toyota Prius on the bridge, scaled an 8- to 10-foot fence and jumped without any hesitation, law enforcement sources said.
ALSO:
Witnesses saw 'Top Gun' director Tony Scott jump off bridge, police say
Amanda Bynes under LAPD investigation in new crash
Ex-porn star Jenna Jameson guilty in DUI crash
-- Andrew Blankstein and Richard Winton
Photo: Director Tony Scott speaks onstage before a screening of "Top Gun" on May 17, 2010. Credit: Alexandra Wyman/Getty Images

The Campaign

Director:
Jay Roach

Lead Actors
Will Ferrel
Zack Galifinakis

Producer
Adam Mckary

Plot Synopsis
Cam Brady - Will Ferrell -  is a shoe-in as an incumbent US Representative for North Carolina's 14th district until pint-sized Marty Huggins signs up to run as well.

Huggins proves laughable as an opponent until a mysterious political consultant helps whip him into shape. Brady soon realizes that he's going to have to actually campaign on this one as Huggins begins to represent a formidable challenge.

Many current political topics are at play in this well-timed political satire - most namely outsourcing jobs to China. In this farce, the big evil company wants to actually import Chinese workers to North Carolina!

Who Would Like It
Ferrell and Adam Mckay loyalists. Galifinakis loyalists. Upright Citizen Brigade fans.

Why
Ferrell calls in a predictable performance as America's favorite lug - the same role he has been perfecting for the last 25 years. Seems as if Ferrell, who has done some great work post-SNL, needed to make some quick money with this hollow performance. But, again, this sort of thing still has its appeal to loyalists.

The pairing of Ferrell and Galifinakis might seem to be to some comedy fans what the the pairing of Dwayne Wade and Lebron of James is to some NBA fans - the best with the best.

Who Might not Like it
Anyone with half a brain who was sober enough to realize this is quite possibly the year's worst movie and quite possibly Hollywood's worst export since Gigli. This movie made me want to outsource movie making jobs far far from the hands of Jay Roach or Will Ferrell for the rest of eternity

Why
This movie insults 1) politics in general 2) American politics 3) North Carolinans 4) the movie goer's intelligence 5) Anyone who is serious about making good comedy using improv: the many many semi improv scenes revolve around juvenile jokes and Ferrell's selfish groundlingsesque comedy dominance, instead of mining the abilities of the supporting cast.

Roach and Ferrell, and well possibly Mckay is to blame here as well - they all seem hell-bent on making the average North Carolinan out to be base and dumb and completely lacking in any knowledge of local, state, national or world politics.

In one aweful scene Will Ferrell and Galifinakis are having a debate. Ferrell, or Brady begins to describe "Rainbow Land" as some sort of political utopia that some people are invited to and others aren't. The scene, for some reason I can't quite remember, soon devolves into a Jerry Springer free-for-all wherein the dog from "The Artist" gets punched

This somehow doesn't seem fitting for North Carolina - one of the earliest states in our blession union and host to some of the most influential, and important universities in the world in Duke and the University of North Carolina.

Highlights/Top Scenes
The one saving grace to this entire movie was seeing Galifinakis seemingly act from the inside out and display real emotion under fake circumstances. His face is always alive, and while he is an undeniable king of comedy, his dramatic side deserves a chance to show itself in a real drama.

There is also a scene in the beginning where John Lithgow, who naturally has a wierd-sounding high pithced voice, speaks Chinese while on a tour in a factory. Although probably not intentional, this was very amusing!

Synopsis
Roach, who is responsible for all three Austin Powers movies, was off his game. That is a shame because the world, now more than ever, needs healthy, robust political satire, and more importantly, well done and well thought out comedies. This disaster failed to fit into either one of those categories.



No Mike and Ikes.